Original Abstract Paintings by Alex Sandrine Nadeau
Original mixed media paintings by Montreal artist Alex-Sandrine. Each piece is built in layers — texture, pigment, gold — until something true emerges. Available as one-of-a-kind works for collectors who want art that stays with them.
Featured Mixed Media Art
Original Abstract Paintings by Alex Sandrine
Frequently Asked Questions
Alex Sandrine Nadeau is a women mixed media artist from Quebec who creates original abstract paintings. Her practice focuses on layered materials — acrylic, oil, plaster, ink, and gold leaf — to explore texture, light, and emotion.
Mixed media art combines multiple materials and techniques in a single work. Alex Sandrine Nadeau layers paint, collage, plaster, and other materials until the surface becomes dense with meaning and physical presence.
She works with acrylic, oil, ink, collage elements, plaster, and gold leaf. Each painting determines which materials will speak most clearly — there is no formula, only intuition.
The gold is never decoration. For this women mixed media artist, gold emerges as discovery — surfaces of memory, accumulation, and what persists. It appears when the painting requires it.
Timeline varies. Some paintings take weeks; others take months. The process is about listening to the surface, not following a schedule. When the work is finished, Alex Sandrine knows it.
Yes. The Quebec artist accepts a limited number of commissions each year. Reach out through the contact page to discuss your vision and begin a conversation.
Original paintings range from $1,500 to $2,800 depending on size, materials, and complexity. Each work is unique and priced individually. Commissions are quoted separately.
Yes, paintings are shipped worldwide with protective packaging suited to the work's format. Shipping costs and timelines are calculated at checkout.
Some works come framed; others are unframed canvas or panel. Framing details are listed on each individual product page.
Her practice is rooted in intuition and the weight of materials rather than planning. She doesn't paint ideas — she paints feelings, and lets the surface decide what it needs. The result is work that feels alive and impossible to replicate.